SPIN

AUTHOR: Robert Charles Wilson

DATE: April 2011

NOTES:

Robert Charles Wilson writes in a unique style. While this book is obviously science fiction with all the usual elements (aliens, futuristic technology, REPLICATORS (Stargate what!) even space travel) its doesn't feel like traditional science fiction. Almost the entire book is narrated through human experience (with the exception of the one Martian speaker who is essentially human [and not human like all the aliens were human in the original Star Trek; rather, human, with a plausible explanation for the similarities]).

The book has a really great mystery at its core and Wilson gives the reader enough answers in each chapter to satisfy while maintaining enough questions to make you want to keep reading. 

The character development was excellent. By the end of the novel you feel as though you know the people from  the story and you have distinct feelings about each of them (some you love, some you miss, and some you hate). 

I really can't say enough about the book. It did have a dry spot about three quarters of the way in that was hard to trudge through (to much information , not enough action) but aside from that it was a really good read. I would probably rank it in my top three favorite science fiction novels. 

I should also mention that Wilson, like all sci-fi moguls, manages to address the major issues of life in his imaginary future (love, death, religion, politics etc.) 

Spin was highly entertaining, enjoyable and thought provoking. I can't wait to see Wilson at this years Festival of Words and I imagine that I will tackle Axis in the near future.

A Million Miles in a Thousand Years

AUTHOR: Donald Miller

DATE: February 2011

NOTES:

I read this book over the course of a month with my wife, Sarah. I have long been an admirer of Donald Miller. I first read "Blue Like Jazz" as a disillusioned college student and I found hope in it. I even went so far as to email Donald Millers people to ask if I could move in with him. At the time I think I mostly liked that he was a bit shocking and that he seemed to challenge the climate of "staunch morality or else!" that I was finding myself confronted with. At the time Donald Miller understood my feelings of disillusionment and he answered them with hope in a God that is not always angry, that likes art, that cares about the odd people of the world.

As I read this latest offering I felt again like Miller was speaking to my situation. I am older than I was in college, I have a career, I cut my hair and I wear dress pants and button up shirts to my office job every day. I am overweight and that bothers me and I am not totally satisfied with the life I am living. Don't get me wrong, I love my wife and my house and all of that but I deeply want my life to mean something more than average.

"A Million Miles in a Thousand Years" is a story about story. Miller frames his narrative around a movie that is in the works about himself based loosely on "Blue Like Jazz". As Don learns about the elements of a good story he sees that these elements can be applied to life itself. He begins to see that he is not living a good story. He, like me, is overweight and living a boring narrative. He begins to take steps to start living a good story, these steps involve risk and danger which any reader will tell you are essential elements in a good book. He embarks on a long and difficult hike, he joins a gym, starts a foundation, looks for his birth dad and takes a bike ride across America. And as usual Don peppers his narrative with stories about the interesting and inspiring people he has met along the way.

Don's book got me excited about life. I sometimes feel like I live in a sea of complaint and bad news. Many people around me seem unhappy with their jobs, their relationships, they fitness etc etc. The news is always about the latest tragedy, protest, murder or missing person. Millers book said that I could work toward a better story. He said I can look for ways to impact people around me in positive ways, I can get fit, I can use my time more wisely and so on. Don painted a hopeful picture of the future and he encouraged me to be an active force in changing my own stories ark.

The book is not terribly profound in any way. It does not reveal any truth that has not been said before but as usual Donald Miller was able to communicate to me on my level.

P.S. My wife and I visited Portland a year back and I also liked the few times that Miller mentioned places my wife and I had seen face to face.



FAR-SEER

AUTHOR: Robert J. Sawyer

DATE: February 2011

NOTES:

The "Far-Seer" is wonderful. Robert J. Sawyer is a master at creating a fun science fiction landscape. The reader is transported to an alien world that is populated by intelligent dinosaurs. The dinosaurs call themselves Quintaglio's and they have a society that is developed to the point of steam power, sailing ships, metal working, rudimentary astronomy, the printing press, and complex societal and religious systems. Religion and science play key roles in the story.

Afsan is the main character in the novel. He is a young Quintaglio, a friend of Dybo (the prince of the dinosaurs), and apprentice to Tak-Saleed, the head astronomer in the royal court. The majority of the novel deals with Afsan's coming of age story. The reader discovers that dinosaurs have two major rights of passage in their young lives. The first right is called the first hunt. In this exercise the young join a group hunting expedition to kill a lower dinosaur (quadrupeds). This episode is very important to the story as we see that Afsan is a naturally gifted hunter. I won't share the details because I think the book is worth reading yourself.

The second right of passage is the pilgrimage. In fairly recent dinosaur history a prophet dinosaur emerged named Larsk. Larsk sailed halfway around the world and came upon a large glowing disk in the sky that he took to be the face of God. This signalled the end of one dinosaur religion (the worship of the original hunters) and the beginning of a new chapter in which all dinosaurs are to resist their instincts (sin nature?)Also, all dinosaurs must take at least one boat trip to view the face of God as Larsk did. It is on Afsan's first Pilgrimage that the story begins to take a different direction.

Afsan is given a "Far-Seer"(telescope) on the voyage. 

SIDE NOTE: One major issue I had with the book is that I do not think that a Tyrannosaurus would be physically able to lift a telescope to its eye. 

With the aide of the telescope Afsan becomes a Galileo figure. His most dangerous discovery involves the true nature of the face of God. As one can imagine Afsan's heretical observations cause a significant stir. The rest of the book deals with the tension between science and religion. 

The last five chapters of the novel were the most impressive in my opinion as Sawyer introduces an exciting twist that I did not see coming. Throughout the book the reader is introduced to various elements of Quntaglio culture including tapestries, religious rights, various hand signals and words. At the time these items appear to only serve the purpose of developing the novels landscape.  However, by the end of the novel Sawyer will use many of the elements in a plot twist that is so interesting that the reader will be compelled to reader the next book in the trilogy. 

All this to say that Robert Sawyer's "Far-Seer" is thought provoking, interesting and of the highest quality Sci-Fi. Sawyer is also a masterful action scene writer. There are enough dinosaur fights in this book to satisfy the most verocious fan. 

For those who don't have the time to read here is a taste of dinosaur fight action. (try to imagine the T-rex wearing a red sash and speaking in proper english). 

  

The Beats: A Graphic History.

AUTHOR: Harvey Pekar, Nancy J. Peters, Penelope Rosemont, Joyce Brabner, Trina Robbins, and Tuli Kupferberg

ARTISTS: Ed Piskor, Jay Kinney, Nick Thorkelson, Summer McClinton, Peter Kuper, Mary Fleener, Jerome Neukirch, Anne Timmons, Gary Dumm, Lance Tooks, and Jeffry Lewis

DATE: January 2011

NOTES:

I used to think that I admired the men of the beat generation. The reason that I thought this was because I did not know much about them. After reading this beautifully illustrated history I have changed my view on the subject. At best I acknowledge their moments of genius and pitty their turmultous personal lives. And at worst I am a little bit disgusted by their leud behaviour, sexism, and overall feelings of entitlement at everyone elses expense.

One of the things that I really love about Harvey Pekar's writing is that he cares about the story behind art. What I mean is that he loves to chronical the people behind great works rather than just focussing on the works themselves which can create an idealised view of the artist's (I have come to realize that most artists are not as brilliant or inspiring as their greatest works of art at all times). "The Beats" is a disturbing read because of the startling honesty with which the beatniks are portrayed. I don't think that the reader is meant to be disgusted. In fact I think that the book is targeting an audience that would revel in the sexual freedom of the beats, the experimentation with drugs, the rebellion against steady jobs, and moral 'rules'. I am not this target audience. I couldnt help but think of all the people that were left dying in the wake of these "visionary's" (sometimes literally).

Although I was mostly distrurbed there were a few people in the book that I will definantly look into as potential future reading. I was really interested in the story of Kenneth Patchen who wrote "picture poems". He seemed to have some really interesting things to say as in: "Every man's at war who's hungry and hunted whether in Omaha or Tokyo". His art is also very interesting. here is an example of one of his picture poems:


I also appreaciated Joyce Brabners (Harvey Pekars widow) candidness in her contribution entitled "Beatnik Chicks" which appears near the end of the novel. One frame in particular hit me like a breath of fresh air after an entire book of idolizing a group of brash ridiculous men. The frame artfully display's two cars driving back and forth, a hand rolling a joint and a womans back who is obviously in a sexual embrace. the text reads as follows:

"At the same time I found Kerouac and his cronies loathsome. Drive across the country. Drive back. roll joints, roll around with women"

Joyce did not say it; but I would have added the line: "or roll around with one another".

Along with Joyce Brabners contribution and the picture poems I also aquired a healthy love for "the fugs". For those of you who have been living in darkness like me, "The Fugs" are a band of "folk musicians" that appear to stand for non-comformity. They took the idea's that Kerouac, Ginsberg, and Burroughs applied to poetry and novels and applied them to music. Simply put they wrote a bunch of "stream of conciousness" songs that ended up being really interesting and funny and sometimes thought provoking. They also embraced much of the attitudes that bother me about the beats in regards to sexism, drugs, morality etc etc. which sometimes produces songs that seem to be written with the purpose of shocking all but those who are "beat" enough to be hip to that sort of thing.


This is one of my favorite examples of FUG music:

World War Z

AUTHOR: Max Brooks

DATE: January 2011

NOTES:

My good friend Wayne gifted me this book for Christmas. It has been my experience that Wayne has excellent taste so I began reading the book as soon as I received it.

The book is presented from the perspective of a reporter who interviews people that lived through WWZ which was a global Zombie War. The Zombie plague originated in China somewhere in the mid to late 1990`s. The book is extremely compelling because it uses actual history and the goings on of the day as a backdrop for the Zombie War. In other words, the world Brooks writes about is in many ways similar to the world we inhabit. I know that Brooks has been criticized for hitting to close to home in some cases, (particularly in the ways he depicts the United States and Israel) but I really think his use of realistic portrayals of the activities of the nations prior to WWZ make for an erie and believable read.

Constructing the book as a series of interviews allows Brooks to speak from a number of perspectives spanning class, profession, nationality, age and religion. Brooks uses these various prospectives to write a story with amazing depth. By the end of the novel the reader feels as though the crisis actually happened because of the amount of detail that is included. I should warn prospective readers that the detail can sometimes be a deterrent as well, especially if you are prone to nightmares or cursed with a weak stomach.

The use of voices from all different areas allows Brooks to discuss a number of controversial and important issues as well. He talks about religion from several prospectives including, the issue of souls, eastern religions, evil and good and religion as an opiate for the masses.

He spends a lot of time criticising governmental response to the plague. During these discourses he points to bureaucracy risking lives, slow response times, classism, and the government ignoring evidence of an impending crisis (global warming).

Brooks deals with individuals as well. Several of his characters criticise citizens for not knowing how to fend for themselves without technology and for lacking basic survival skills (like making a fire, packing proper clothing, picking proper provisions etc.). One really memorable scene has an interviewing pointing out people and personal items frozen in the ice. The people in the ice had brought video game systems and wildly insufficient Disney princess sleeping bags with them when fleeing to the arctic.

Overall I loved the book. It was very entertaining and it allowed me to think about some important issues. It also served to round out my knowledge of Zombie lore. I learned that the military refers to zombies as either ``Zack's`` or ``G`s`` which is a short form for ghouls. I also learned that older weapons proved more effective and cost conscious in killing zombies than large scale attacks. Zombies don`t breath so they can live under water. Quislings are people who go mad and act as though they are zombies (which causes the government to believe that zombies eat other zombies for a time). There is a zombie martial art that is effective in hand to hand zombie confrontation. I learned all of these truths and a lot more. I am very much looking forward to seeing the film.